UNIF Solidarity Tour in the Washington Post
Wednesday, July 05, 2006
Boukman Eksperyans: Music With a MissionTuesday, July 4, 2006; Page C07 (The Washington Post)
Haitian roots music band Boukman Eksperyans usually performs here before hundreds of emigres from its home country and a smattering of non-Haitian world-music enthusiasts at some rented-out community center. On Sunday night, with little promotion aimed at local Haitians, the activist 10-piece group played to an audience of about 75 at Virginia folk-rock club Jammin' Java.
Led by husband and wife Lolo and Manze Beaubrun, Boukman Eksperyans, on tour to gain support for the
Formed in the late 1980s, Boukman Eksperyans -- named for a slave who led the country's rebellion against French colonialists -- sang French Creole lyrics, usually over an innovative blend of Haitian carnival percussion and Hendrix-style guitar. Even if one could not follow their once-censored criticisms of leaders, the deliveryof the words was impressive enough.
The group also has harmonized songs a cappella over its five albums, and such numbers shone, especially when led by Manze Beaubrun. Where her husband's vocals reached for but never attained a Bob Marley intonation, Manze's distinctive timbre was both sweet and husky. On "Cousin," her gorgeous quaver began the song, then the three percussionists and a trap drummer dramatically joined in with vigorous polyrhythmic beats.
Where the guitarists usually favored psychedelic finger work, on "Zanset Nou Yo" they offered speedy Congolese and Mali-style picking, with a backup singer adding hand-held metal percussion. The evening ended with the band and audience members holding hands or linking arms while they harmonized on a sublime, vocals-only version of a Haitian traditional "Mayi A Gaye," originally trilled as a lullaby of unity by
-- Steve Kiviat
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